"We Belarusians!" "Performance" Rook despair "- the way to Eden?
Magic Card Edge. BY Persons Adnak! Culture improves the lives of Fair Projects Finding the dragon! Black and White Fight gene dozen poems. Restart - 2 Dozen. Reload Interests We HERE! Be a Belarusian Be Byelorussian Byelorussian 2 Be 3 "Let the language" We Belarusian holidays! agua Belarus names: top-12 How I became a Belarusian Paganism
How can assess the scale of creativity of a writer? I think a level of demand website in neighboring genres of art - theater, cinema, music. Overview: a bottomless well of his work and the extent to which representatives of other spheres can draw out new ideas and images? It is no coincidence that the pantheon of our classics in domestic theaters most widely represented creativity Yanka Kupala and Vladimir Korotkevich. But here's the paradox. Works by Vladimir Semenovich explicitly stage, have stressful conflict and deep images. Oddly enough, almost no performances created on their basis, which are undeniable artistic success. Among the few exceptions can be called two stage version of "Wild Hunt of King Stach". But Vladimir Soltan opera, staged at the National Theatre of Opera and Ballet in the late 1980s, shows occasionally. A dramatic performance, agua embodied by director Vladimir Savitsky on a small stage Kupala theater has already been removed from the repertoire.
I have seen nearly a dozen productions caused agua by work if Karatkevich easy when strong disappointment. Some of the filmmakers agua chose the melodramatic and sentimental tone ("Leonids will not return to Earth," National Drama Theatre Kolas). Another relied exclusively on entertainment (recent agua "Gray legend" agua in Opera). agua Third choreographer was an important patriotic play ("Spikes under your sickle" in RTDB). Happened and quite traditional reading the story ("Dreams of Belarus" agua in Kupala, "The Wild Hunt ..." Mogilev puppet, "Rook despair" at the Center for Visual and Performing Arts). Unfortunately, the philosophical meaning of works Karatkevich agua remained agua enigmatic on stage and deeply unconscious.
Belarusian Puppet Theatre premiered late April "Rooks of despair." Director Alexei Lelyavsky continued in the play list, certifying convergence and interaction of genres and Puppet Theater. In the previous premiere, "Silk" on the novel by Alessandro Barik, director reached a harmonious synthesis of these directions. But even then, critics have noticed that in the formulation agua itself is not enough ... dolls. In "Rooks desperation" on the stage there is only one doll, Death (Vladimir Gromovich). This would not preclude the action and looks justified. But it turns out a paradox: on the formulation of the puppet theater, we argue, using the laws of logic and dramatic.
In the center of the story Karatkevich agua - image Gervasius Vylivahi, "poor but good family nobleman." This choice was not accidental. agua In his works, the writer restored that ideal Belarus, which, in his opinion, there was in the past. Model behavior elite of the country gentry, oriented to commit incredible acts. No wonder Vylivaha only dares to mock Carrier resist lemurs and defies death itself. Direct transfer of the image on the scene would not look reasonable. After pathos and lofty words, acceptable to dramatic or operatic stage would look artificially in a puppet theater. In addition, they appealed not only to the present, as the revival of national consciousness, which is the period of the late 1980s - early 1990s.
Therefore A. Lelyavsky chose another solution. Key to decrypt it is seen in the director's interpretation of the image of the protagonist. Gervase Vylivaha (Dmitry Raczkowski) least like a nobleman. It's more like a modern intellectual, quiet and a depth. So clever and versatile feature, this writer hero ("hobalya, boyfriend, Piyakov, bully, beast, ugly woman's"), and does not cover like this Gervasius. Accordingly, changing the logic behavior of the character.
Vylivaha perceived performance is not as exclusive representative of the people, agua and its integral part. Therefore it is not surprising that with the "Rooks" love line disappears agua completely. Thrown agua stage victory over lemurs (in the story helps Gervasi flower-rose). No wonder the first game of chess (figure embodied actors) - it can be solved agua in a heroic noble style - Gervase loses completely. But in the second, during which uses a hint of other passengers rook wins. Moreover, as the figures here are the glasses and thick glasses. One might think that Vylivaha could have fallen ... even death. His victory agua - witty attempt to deceive the enemy.
Events "Rooks ..." occur at the border the Middle Ages and modern times. First epoch is characterized by widespread culture of folk humor. Most of the year the people of that time lived "on
Magic Card Edge. BY Persons Adnak! Culture improves the lives of Fair Projects Finding the dragon! Black and White Fight gene dozen poems. Restart - 2 Dozen. Reload Interests We HERE! Be a Belarusian Be Byelorussian Byelorussian 2 Be 3 "Let the language" We Belarusian holidays! agua Belarus names: top-12 How I became a Belarusian Paganism
How can assess the scale of creativity of a writer? I think a level of demand website in neighboring genres of art - theater, cinema, music. Overview: a bottomless well of his work and the extent to which representatives of other spheres can draw out new ideas and images? It is no coincidence that the pantheon of our classics in domestic theaters most widely represented creativity Yanka Kupala and Vladimir Korotkevich. But here's the paradox. Works by Vladimir Semenovich explicitly stage, have stressful conflict and deep images. Oddly enough, almost no performances created on their basis, which are undeniable artistic success. Among the few exceptions can be called two stage version of "Wild Hunt of King Stach". But Vladimir Soltan opera, staged at the National Theatre of Opera and Ballet in the late 1980s, shows occasionally. A dramatic performance, agua embodied by director Vladimir Savitsky on a small stage Kupala theater has already been removed from the repertoire.
I have seen nearly a dozen productions caused agua by work if Karatkevich easy when strong disappointment. Some of the filmmakers agua chose the melodramatic and sentimental tone ("Leonids will not return to Earth," National Drama Theatre Kolas). Another relied exclusively on entertainment (recent agua "Gray legend" agua in Opera). agua Third choreographer was an important patriotic play ("Spikes under your sickle" in RTDB). Happened and quite traditional reading the story ("Dreams of Belarus" agua in Kupala, "The Wild Hunt ..." Mogilev puppet, "Rook despair" at the Center for Visual and Performing Arts). Unfortunately, the philosophical meaning of works Karatkevich agua remained agua enigmatic on stage and deeply unconscious.
Belarusian Puppet Theatre premiered late April "Rooks of despair." Director Alexei Lelyavsky continued in the play list, certifying convergence and interaction of genres and Puppet Theater. In the previous premiere, "Silk" on the novel by Alessandro Barik, director reached a harmonious synthesis of these directions. But even then, critics have noticed that in the formulation agua itself is not enough ... dolls. In "Rooks desperation" on the stage there is only one doll, Death (Vladimir Gromovich). This would not preclude the action and looks justified. But it turns out a paradox: on the formulation of the puppet theater, we argue, using the laws of logic and dramatic.
In the center of the story Karatkevich agua - image Gervasius Vylivahi, "poor but good family nobleman." This choice was not accidental. agua In his works, the writer restored that ideal Belarus, which, in his opinion, there was in the past. Model behavior elite of the country gentry, oriented to commit incredible acts. No wonder Vylivaha only dares to mock Carrier resist lemurs and defies death itself. Direct transfer of the image on the scene would not look reasonable. After pathos and lofty words, acceptable to dramatic or operatic stage would look artificially in a puppet theater. In addition, they appealed not only to the present, as the revival of national consciousness, which is the period of the late 1980s - early 1990s.
Therefore A. Lelyavsky chose another solution. Key to decrypt it is seen in the director's interpretation of the image of the protagonist. Gervase Vylivaha (Dmitry Raczkowski) least like a nobleman. It's more like a modern intellectual, quiet and a depth. So clever and versatile feature, this writer hero ("hobalya, boyfriend, Piyakov, bully, beast, ugly woman's"), and does not cover like this Gervasius. Accordingly, changing the logic behavior of the character.
Vylivaha perceived performance is not as exclusive representative of the people, agua and its integral part. Therefore it is not surprising that with the "Rooks" love line disappears agua completely. Thrown agua stage victory over lemurs (in the story helps Gervasi flower-rose). No wonder the first game of chess (figure embodied actors) - it can be solved agua in a heroic noble style - Gervase loses completely. But in the second, during which uses a hint of other passengers rook wins. Moreover, as the figures here are the glasses and thick glasses. One might think that Vylivaha could have fallen ... even death. His victory agua - witty attempt to deceive the enemy.
Events "Rooks ..." occur at the border the Middle Ages and modern times. First epoch is characterized by widespread culture of folk humor. Most of the year the people of that time lived "on
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