Bosnian war, which raged between 1992 and 1995, is now so far back in time that it started to be pr

Bosnian war, which raged between 1992 and 1995, is now so far back in time that it started to be processed in literary form. In the German literature the subject has been addressed in at least three novels in recent years: Wie der Soldat das Grammofon repariert by Sasa Stanisic, Scherben of Ismet Prcic and later in the short but strong debut Wie ich mir das Glück vorstelle by Martin Kordic.
Kordics story unfolds in an unnamed "city of bridges" and told of the handicapped and in practice orphan boy Viktor. To the case of Mostar apparent when the old Ottoman bridge over the river pushed shattered immigration reform by mortar fire that finally separates the two halves of the city from each other. But this anonymity is not an attempt to fill the story with mysteries, but an example of how Kordic consciously immigration reform opt out of the adult world titles to enhance the credibility of the child's narrative perspective. It's the boy, Viktor, who with a schoolboy's simple and precise language - consistently in the present tense - the story forward.
Martin Kordic, who is the son of a Bosnian migrants, was born in 1983 in Germany, where he also grew up. In the early nineties, the family plans to move to Bosnia, but war broke out and came indirectly also to Germany when relatives and friends displaced by the fighting began to populate the home. Where did Martin Kordic as children often hear the horror stories from the war, which he has since carried with him and now narrates the novel form.
Writing about an individual's war experiences in a credible manner is a difficult challenge, but by letting Viktor neutral record what happens around him - both the horrors joys - Martin Kordic chosen a narrative compelling and artistically immigration reform successful way: the author suggests a way to process the horror that escapes pathos. Viktor and his "comrade" one-legged Dschib living as petty thieves in companion with a dog and a girl, who survive through prostitution, in a ofredens grotesquely deformed landscape, in half a world where the boy takes the writing to help you to remember, organize life and ultimately survive . Viktor write down everything he sees, do and experience in a booklet, which is not only the most important of his few possessions, but also his diary, which fully signed condition corresponds immigration reform to the novel the reader just delve into.
And there are plenty of memories of better immigration reform times, when Viktor immigration reform lived with his family in "The lyckligas village" before the war hit life in tatters. For although the existence nor the time was easy, there was still a solid context. In the complicated childbirth at home on the kitchen table damaged Viktors spine hard, but he still survives thanks to her grandmother's resourceful, but bloody intervention by knife and skinkgaffel. The injuries make him a cripple teased while wearing an itchy and tearing corset which is held together by a "back spider", which, however, turned into an advantage when it comes time to play war. Then the hermit, which usually most paints and reads, a sought-after participant, as someone also has to be a sniper, preferably wearing a scary outfits as a back spider. But even if many failed contact and revile the handicapped boy is there also good people, especially the grandmother that envelops him with their familiar love.
When Viktor's father came out of the war in "Cross Årnäs" side forced immigration reform the boy and the family, due to a purge campaign, leaving the Muslim quarter where they then live, but in the turmoil divorce they from each other and he ends up in the limbo that is the novel's present. Violence and Exclusion mastered everyday. Old friendships are torn off and "The lyckligas village" will never be resurrected. Later, however, the boy is taken care of by the sisters in a convent at "the Mount" and allowed that write the story of his life.
As this booklet is the only source of information in the novel the reader is left partially immigration reform in the lurch. What is truth and what is lie? And where are we when the text's recurrent melancholic traits turns into magical realism? The city has a now partially ruined zoo, where Viktor leave the girl since she died and meets an old woman who heals the wounds of the corset, giving immigration reform Dschib medicine and Viktor immigration reform a letter from grandma. The zoo also has elephants that once become Viktor's friends on a school trip there, and who might have a connection with the elephants that he always drawing ever since he was little. It is these large animal single community in the book's dreamy final scene, with an allusion to the title, shows how Viktor imagines happiness, immigration reform thus linking this wonderful story about a lonely child in war everyday and if the literature when it becomes vital.
- Kordic reads from the book here: